SINFONIA XXIV encourages us to rethink Time as an imposed structure into which we are drawn.

 

24 speakers, 24 bearings and the interplay of the public are required factors to deconstruct and demonstrate three distinctive, and soaking, Time characteristics: malleability, relativity and artificiality.

 

The audience walks through the artwork and activates the speakers enabling a composition to occur by adding or subtracting sounds into a general symphony that will unveil itself on-site, also being able to isolate the 24 micro spaces and perceive their own essence.

 

The installation connects different places in the world and offers the visitors to interact by adding or subtracting sounds into a general symphony that will unveil itself on-site.